I frist read this book in Everett WA in 1990. This collection of short essays is among one of my prize possesions of this author. Anyone who has not read anyhting at all from this author would do well to start here. Arm yourself with the enlightening influence of Garret Hardin. You don't have a right to read this book but you are free to choose to do so once you recognize the necessity.

My ancestors went into KY in 1780 to help build Phillip's Fort which later became Hodgensville, KY. I have found out more about my family in this book than from any other source.

this book is perfect for practicing as well as studying postgraduation. a comprehensive volume on fundamental and advanced endo

Stephen L. Harden's "Texian Iliad" is a military history of the Texas Revolution. He delves into such details as the inferior quality of the gun powered used by the Mexican army. "As one veteran noted: "On examining the powder, we found it little better than pounded charcoal..."" Harden also tries to identify who these participant solders were and what was their background. The most pleasant surprise to me was the illustrations by Gary S. Zaboly. Mr. Zaboly does an excellent job in bring humanity the revolution through his illustrations, then describes them in detail. This is a great book by itself, the illustrations make that much better.

This is a very engrossing book and a quick read. Dr. Hardin writes in a very accessible style. You need not be a Texas history buff to find this book enjoyable. I recommend it strongly.

The author presents a well-balanced story of the revolution, with equal weight on the heroism and perfidy practiced on both sides. For example, I found myself equally moved by the valor of Colonel Travis and of General Castrillon. The butchery at Goliad and San Jacinto were equally repugnant.

I have only one regret. The book is simply too short. I found myself wanting more detail at almost every turn. Dr. Hardin's easy-to-read-style could have supported a longer book without the risk of ponderousness.

Finally, an easy-to-read book that reads like a story, not a textbook. TEXIAN ILIAD is a wholly appropriate title. And Dr. Hardin is the right man to write the Iliad of Texas. It is a story worthy of the manner in which it is told.

Hardin's captivating writing style is the key to this book's success. He clearly describes events in colorful detail that provide a masterful interpretation of this key era in Texas History. His approach to the Texas Revolution has just the right mix of political, social, and military perspectives to provide a refreshing well-balanced look at the birth of Texas. It is a joy to read.

At last, the Battles of the Alamo and San Jacinto are put into their proper context with the Battles of Gonzales, Conception, San Antonio, Goliad, the Grass Fight, and the ill-fated Matamoros Expedition. Hardin expertly pieces these events and others together to form the patchwork quilt that is the Texas Revolution. The roles of unsung heroes like James Neill, Robert Williamson, and true military professionals like Mexican General Jose Urrea are finally brought to light. Hardin enables the readers to a new level of understanding about this difficult period.

Hardin's chapter on the Alamo is the most honest and detailed to date and is worth the cost of the book alone. Gary Zaboly's illustrations and Hardins narrative paint a picture that allows us to understand the detailed flow of the final assault.

Reading TEXIAN ILIAD is a MUST for all Texans and students of history. Not only is it extremely enjoyable reading, it is a well-balanced, accurately-told history. If I were a Texas history teacher, this would be my primary text.

Even though it doesn't read like a textbook.

You couldn't find a more interesting character than Hardin but his own account is written in a common and stilted style that zaps all excitement from it. Hardin should be grateful to James Carlos Blake's historical fiction "The Pistoleer" to put him in the proper light.

The original manuscript of this book was discovered after John Wesley Hardin's death. He was shot in the back of the head while standing at the bar in the Acme Saloon by John Selman in El Paso on August 19th, 1895. This book was published a year later by Smith & Moore Publishing in Sequin, Guadalupe County, Texas. It sold, in paperback, for fifty cents each.

Hardin was one of the real, genuine hard cases, in those days. It is said that he killed at least a score of men. By some accounts, it was at least 40.

Hardin was born in 1853, the son of a Methodist preacher, who proudly christened him after their faith's founder. No doubt he was expected to follow a spiritual path. It was not to be. He killed his first man, a freed negro who was full of his new freedom, and was going to chastise Hardin with a club out of anger for losing a wrestling match to the boy and his cousin the day before. Hardin killed him with a revolver.

Texas was administered at the time--immediately after the War between the States--by Northern carpetbaggers, and Hardin's life as an outlaw commenced.

He was captured, eventually, in Florida by Texas Rangers and brought back to Texas where he served time in prison. He was obviously intelligent and more literate than the average. After his release, he became a lawyer, and so his autobiography reads well, with probably no more self-justification and self-aggrandizement than most autobiographies.

It is said that he had his pockets lined with leather, so that he could carry his pistols without wearing out his clothing. Not a carry method conducive to the idiotic Hollywood myth of the "fast draw."

John Wesley Hardin was a dangerous man with an ungovernable temper. His story, as told by himself, is more literate than most and highly readable. How well it adheres to the absolute truth is anyone's guess.

I found it most interesting.

Joseph Pierre
author, Handguns and Freedom...their care and maintenance

As John Wesley Hardin wrote his autobiography he was, presumably, trying to present himself in a favorable light; shading things to make himself look good. That said, he still comes off as an utterly cold-blooded killer without conscience or a twinge of remorse. This makes the reading all the more interesting as he isn't holding back or trying to apologize for, or justify, the things he did.

The story is very well-written (Hardin was a lawyer when he wrote it, during the brief time he survived once he was released from prison). As authentic western adventures go, this is a top-rate book. Hardin tells of cattledrives, chases by posses, encounters with the law including Hickok, and shootouts.

I very much enjoyed this book because it was full of pure fun reading. Some books drag from the very beginning, but this children's story didn't. There were surprises from the start. This book is an all original example of using your imagination. Lewis Carrol was gifted enough to let his imagination go wild, and to write it down on paper. This book inspires me to write any sort of crazy thing that is worth writing. This book is about Alices adventures from the time she saw the peculiar White Rabbit with a waistcoat and watch. She meets thrilling but very arguementive creatures and charectors such as the caterpiller who smokes, the Duchess and her baby which turns into a pig, a Mock Turtle, a gryphon, and the most famous the Chesire cat and the Queen of Hearts. This book is a bit different than the Disney movie. There are other charecters in the book that are not mentioned in the animated movie. and I think the book is more bizarre.

I, like almost every other kid I know, grew up with the Disney movie. Although a rather accurate depiction of Wonderland, it cannot compare to the book (plus it muddled things together, mixing Alice in Wonderland with things originally in Through the Looking Glass). I never really took much attention to this very strange movie, but one day decided to read the book.

Enter Wonderland.

Absolutely no plot, no direction, no point. Lot's of silly nonsense but in spite of, or maybe because of this, it is very enjoyable. You literally never know what's going to happen next. After reading this book, I realized just how much my own dreams... Unforgettable characters, who can ever forget the cheshire cat or the caterpillar, jokes, interesting supplementary drawings, and puns keep you on your toes.

This is really not for kiddies. Sure they can read it and maybe even enjoy it, but cannot fully appreciate it. A masterpiece, a classic, but more importantly, an enjoyable experience.

Don't forget to read Through the Looking Glass! Tweedle Dee & Tweedle Dum, the Walrus and the Carpenter, and "Jabberwocky" don't pop up in Alice in Wonderland but Through the Looking Glass. Although "Jabberwocky" didn't appear in the movie, it's still a classic. Finally, an explanation of this ever-puzzling poem! And of course, "I am the Walrus" is one of my favorite all-time songs...

One of those books that you can read over and over again and find something new each time. Definitely an essential. The most fun I have ever had with a book. If you've ever been cursed enough to watch the movie but never read the book, PLEASE READ THIS BOOK! (and for those of you who have read it, READ IT AGAIN! )

When I was assigned Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking Glass to read for my Victorian Literature class, I was excited. Even though I had heard Alice's Adventures in Wonderland referred to countless times throughout my youth, I had never read the story or seen the movie. I had never heard of Through the Looking Glass, but while reading, I realized that many people who think they are talking about AAIW are actually referring to TTLG. The two texts seem to be conflated in a way that makes them indistinguishable from each other. It is for this reason that I enjoyed reading this edition of the texts. There is only a page separating the two stories, which allows the reader to easily make the transition between them. This small separation also allows the reader to recognize the undeniable connection between the texts and to understand why many people combine them in their minds.
AAIW is about a young girl named Alice whose boring day with her sister is interrupted when a white rabbit runs by her saying, "Oh dear! Oh dear! I shall be too late!" Alice's curiosity is aroused, but surprisingly not to a great degree. This is the first hint to the reader that Alice is not an average child, as she seems to believe that a talking rabbit is quite normal. She does become intrigued, though, when the rabbit produces a clock from his pocket, so she follows it down its hole and enters a world of wonder. I loved the story from this point on. It is filled with such unbelievable creatures and situations, but Carroll's writing style made me want to believe in a world that could be filled with so much magic and splendor. There was never a dull moment in the story, and each page was filled with more excitement. I will offer a warning, though. This story is not for those who like a neatly packaged plotline. It is written in a somewhat discontinuous nature and seems to follow some sort of dream logic where there are no rules. However, I enjoyed the nonsensical pattern. Without it, a dimension of the story would be lost. It offers some insight into the mind of a young, adventurous, fearless girl, and Carroll seems to be challenging his readers to be more like Alice.
The second text in this book, TTLG, is again a story about Alice. In this adventure, Alice travels through a wondrous world on the other side of her looking glass. As in AAIW, Alice again encounters absurd creatures, such as live chess pieces and talking flowers. The land she travels through is an oversized chessboard, which gives this story a more structured plot than AAIW. The chess theme provides Alice with sense of what she must accomplish in the looking- glass world, and it provides the reader with a sense of direction throughout the story. Alice's goal is to become a chess queen, so the reader knows that when she becomes queen, the story will be over. However, just because the story has some structure does not mean that it is not just as wild and marvelous as its predecessor. I enjoyed all of the characters. They seem to have an endless supply of advice that people in the 21st century can still learn from. My favorite example is when the Red Queen says, "Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!" Maybe what Carroll is suggesting is that if we read more nonsensical, unbelievable stories like his, we won't be so afraid to be adventurous and fearless like Alice; so that the next time a white rabbit runs by us, we might just see where it leads us.

La vie qui traverse les personnages d'Eric Chevillard est revisitée, réinventée avec une loufoquerie si délicate et si légère. Ils ont le charme des vrais originaux, comme mon grand-père.

Reading this book is like having a disjointed series of intellectual dreams after eating too much spicy chili before bed. What's real one minute, or one page, is ethereal the next. Like reading Nostrodamus, the messages are sometimes obscured by the text, but there are so many messages to be found that it doesn't matter. Basically, this book makes one laugh, think, and rub the chin in joyous confusion. If Kafka had Vonnegut's sense of humor, he might have written this book

A friend of mind who loves the late Frida Kahlo gave me this book to read to become familar with her work. Needless to say, I was very impressed with the artist and the way Ms. Hardin captures her in this book. The book has inspired me to do more research on Frida by capturing some of Frida's greatest work here. I recommend this book to anyone who desires to begin study on the work and life of Frida Kahlo.

This is a book that would be excellent as an introduction to Kahlo's work, or for those who are familiar with it and want more, as there are some pieces included that are not often seen, like drawings and some glorious still lifes.
It also shows examples of the things that influenced her, like Mayan figurines, engravings from Chichen Itza, "Day of the Dead" items, etc...and has some personal photos that are marvelous as well.

Terri Hardin writes simply and directly, and has done an good job of researching Kahlo's life. The book is 9 x 12, and its 128 pages are mostly devoted to Kahlo's art, so the biography of her is detailed with a minimum of text, but includes the essentials for one to get to know this great artist. She writes of her tumultuous relationship with Diego Rivera, as well as the many other events that made her life a full but tragic one, and in describing her pictures, manages to interpret them quite well.

Though so well known for her portraits, the two pictures that thrill me the most in this book are still lifes...one from 1942 on page 110 (there's an incredible, lush and vivid detail of it on pages 96-97), and "Still Life with Parrot" from '51 on page 113. The fruit and vegetables seem to dance with energy, and there are always a few cut open, exposing the insides, and their seeds.

The quality of this book is wonderful, with thick, glossy paper (making it feel heavy for its size), and the color reproduction is vibrant. For anyone interested in Kahlo's work, this is a lovely book to own and treasure.

I admire greatly the great works of Poe. He's magical in his own way. This book is mysterious and "spooky" yet a great treat for the mind.

Poe no fue alguien oscuro ni mucho menos loco, fue obsesivo. Quizas por esto cuando se leen sus cuentos y te relacionas con alguna situación que ocurre, además de entenderla la sientes. Pareciera que cuando ocurre esto las letras penetraran por las uñas y llegaran a tus nervios.

This is an enjoyable mystery in the classic mode with some deft turns. But it is completely unedited and riddled throughout with type-os and silly mistakes. Surely no person at the publishing house read this book before it was released; I'd go so far as to say no one bothered to use spell-check to detect ludicrous errors. In most cases, the correct spelling or usage is fairly easy to figure. In one, a "Mrs." should have been a "Mr." and that caused a bit of confusion. Readers appreciate these budget-priced editions, but couldn't someone at the publishing house give them a look after they've been scanned into the computer? Surely a summer intern in the editorial department might even have a good time reading this pleasant little mystery.

This is Mary Roberts Rinehart at her best. The author tells a haunting tale which is on a par with The Yellow Room. Rinehart is a master at setting the stage and draws the reader in with her unique stlye of mystery writting. She expertly developes the plot and her character descriptions are flawless. A real page turner and a great read.

For decades Mary Roberts Rinehart was the queen of mystery thrillers -- the American Agatha Christie. The Circular Staircase was Rinehart's first published novel (The Swimming Pool was her last), but it is a well-constructed work in ever way. Rinehart's special gift was in the evocation of an overlying and unremitting atmosphere of unease and potential danger and it is under such an atmosphere of apprehension that she spins her stories. For some time it has been fashionable to dismiss the novels of Mary Roberts Rinehart as old fashioned. This may apply to superficial details -- such as gas lighting -- but it definitely is not true of the novels themselves which are timeless in their ability to hold the reader in a grip of mystery and suspense. The Circular Stasircase is one of the finest mystery novels ever written.